The convergence of contemporary art and automotive engineering reached a perfect synthesis at Henraux, where Maserati presented its new car alongside a cultural experience where material, form, and vision engaged in a natural dialogue.

Filippo Tincolini, the protagonist of this encounter, was invited to bridge the brand's aesthetic with his own sculptural research. Alongside the car, the presence of Spaceman a white marble astronaut suspended between gravity and imagination created a powerful visual tension: on one hand, the pinnacle of motion; on the other, eternal permanence.

For the occasion, Tincolini created a dedicated sketch for the car, following the shared principle of sculpture and design: to subtract, rather than to add. It was a dialogue between two ideas of time the speed that traverses the present and the duration that aspires to eternity confirming that innovation finds its deepest meaning in beauty.