The photographs reveal the time of sculpture. A time that does not coincide with duration, but with responsibility. Every gesture in the carving of marble is definitive. Every subtraction is irreversible. In this sense, the process is never neutral: it is always a statement, a choice that cannot be undone.

Laura Veschi’s photography captures this tension through a respectful lens, staying close to the material, the surfaces, and the thresholds where form begins to emerge but is not yet complete.

The black and white choice accentuates this approach: each photograph serves as an entry point into the genesis of the work, a fragment that reveals what usually remains invisible. Not the work as a final result, but the work in its making.